This is an extraordinary book. It will set new standards for bringing together place form and context in cinema studies. It accomplishes what few studies of a modern visual genre even attempt much less achieve. This book looks at how independent Indian documentary film reworks the relationship between film-makers their narratives their subjects and their audience challenging the dominant idea of documentary as a discourse of the real. Based on close textual analysis conversations with film-makers and drawing on Breitrose’s cinema-verite film-maker as a ‘fly in the soup’ this work explores the place of documentary within the Indian public sphere.
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