A Shared Authority

<p>Acknowledgments<br/> <br/>Introduction<br/> <br/><b>I. Memory History and Cultural Authority </b><br/> <br/>Headnotes<br/> <br/> <blockquote> <br/> 1. Oral History and <i>Hard Times</i>: A Review Essay<br/> 2. The Memory of History<br/> 3. American History and the Structures of Collective Memory: A Modest Exercise in Empirical Iconography<br/> </blockquote> <br/><b>II. Interpretive Authority in Oral History </b><br/> <br/>Headnotes<br/> <br/> <blockquote> <br/> 4. Oral History and the Presentation of Class Consciousness: The <i>New York Times</i> v. The Buffalo Unemployed<br/> 5. Preparing Interview Transcripts for Documentary Publication: A Line-by-Line Illustration of the Editing Process<br/> 6. Presenting and Receiving Oral History across Cultural Space: A Note on Responses of Chinese Students to the Documentary Trilogy <i>One Village in China</i><br/> 7. Oral History Documentary and the Mystification of Power: A Critique of <i>Vietnam: A Television History</i><br/> </blockquote> <br/><b>III. A Shared Authority: Scholarship Audience and Public Presentation </b><br/> <br/>Headnotes<br/> <br/> <blockquote> <br/> 8. Quality in History Programs: From Celebration to Exploration of Values<br/> 9. <i>Town Into City: </i>A Reconsideration on the Occasion of Springfield's 350th Anniversary 1636-1986<br/> 10. Get the Picutre?: A Review Essay<br/> 11. Audience Expectations as Resource and Challenge: Ellis Island as a Case Study<br/> 12. Urban Public History in Celebratory Contexts: The Example of the Philadelphia's Moving Past Project<br/> 13. The Presentation of Urban History in Big City Museums<br/> </blockquote> <br/>Notes</p>