Active Landscape Photography

<p><em>Diverse Practices</em>, the third book in the <i>Active Landscape Photography</i> series, presents a set of unique photographic examples for site-specific investigations of landscape places. Contributed by authors across academia, practice and photography, each chapter serves as a rigorous discussion about photographic methods for the landscape and their underlying concepts. Chapters also serve as unique case studies about specific projects, places and landscape issues.</p><p>Project sites include the Miller Garden, Olana, XX Miller Prize and the Philando Castile Peace Garden. Landscape places discussed include the archeological landscapes of North Peru, watery littoral zones, the remote White Pass in Alaska, Sau Paulo and New York City’s Chinatown. Photographic image-making approaches include the use of lidar, repeat photography, collage, mapping, remote image capture, portraiture, image mining of internet sources, visual impact assessment, cameraless photography, transect walking and interviewing.</p><p>These diverse practices demonstrate how photography, when utilized through a set of specific critical methods, becomes a rich process for investigating the landscape. Exploring this concept in relationship to specific contemporary sties and landscape issues reveals the intricacy and subtlety that exists when photography is used actively.</p><p>Practitioners, academics, students and researchers will be inspired by the underlying concepts of these examples and come away with a better understanding about how to create their own rigorous photographic practices.</p> <p><strong>Introduction: Diverse Practices</strong></p><p>Anne C Godfrey</p><p>Practice, Methods and Process: Photographic Representation is a Verb</p><p>Anne C Godfrey</p><p>Part I: Systems</p><p>1. Cameraless Photography at the Water’s Edge: Rethinking Collaboration and Exchange in the Littoral Zone</p><p>Phoebe Lickwar</p><p>2. Looking Through the Trees: Lidar, Archaeology, and the Possibility of Seeing Otherwise</p><p>Parker VanValkenburgh</p><p>3. Between the Rendered and the Real: Photography as a Comparative Analysis Tool</p><p>Aidan Ackerman, Robin Hoffman</p><p>4. Taking Strolls in Virtual Space: Finding the Stranger’s Path in Google Streetview Context Photography </p><p>Deni Ruggeri</p><p>Part II: Histories</p><p>5. Engaged Photography: Revealing the Miller Garden</p><p>Mark R. Eischeid</p><p>6. Photographs as Tools for Restoring the Historic Landscape of Olana</p><p>Charlotte Barrows</p><p>7. Revealing Landscapes Beyond the Monuments: Matching Past to Present Using Remote Repeat Photography </p><p>Anna Suet Tiburzi </p><p>Part III: Narratives</p><p>8. Repeat Photography's Practical Applications in Contemporary Landscape Planning and Design</p><p>Rachel Edmonds, Casey Howard, and Laurie Matthews</p><p>9. XX Miller Prize: Centering Women’s Stories Through Portraiture</p><p>Sahar Coston-Hardy, Rhiannon Sinclair</p><p>10. Photography and a Dramaturgical Approach to Sites</p><p>Brian Katen</p><p>Part IV: Moments</p><p>11. Overdrawing</p><p>Liska Chan</p><p>12. Ways of Seeing; Documenting Landscape</p><p>Hannah Durham</p><p>13. Serial Process: Serial photography as Critical Practice</p><p>Maura Rockcastle and Ross Altheimer</p>