Africa in Stereo

Africa In Stereo examines the role that African American music has played in the pan-Africanist imagination since the end of the nineteenth century. Throughout Jaji marshals a wide array of critical archival literary visual and sonic sources to craft an argument centered on the stereophonic echoes between three sites on the African continent emblematic of pan-Africanism (Ghana Senegal and South Africa) and black musical cultures in the US (as well as few other places on the diasporic landscape). Rather than take a purely musical tack that traces the influence of African American music on musical repertoires from Ghana Senegal and South Africa Africa In Stereo beautifully shows how a US black popular musical genres inspired a host of writers and filmmakers such as Ousmane Sembene John Akomfrah Sol Plaatje Léopold Senghor K. Anyidoho Charlotte Maxeke Ken Bugul as well as the glossy visual languages found in the early magazines Bingo (Senegal) and Zonk! (South Africa).