Bradford's new literary collection includes stories and tales surreal vignettes epistolary exchanges and dream reports. His experiments in historical fiction are stunning feats of imaginative transposal focused on a seventh-century ascetic and the modern artists Paul Klee Piet Mondrian and Marcel Duchamp. Bradford's prose is precise charged highly metaphoric at times breath-stealing in its beauty and versatile enough to capture the ruminations of a serial killer the inelegant speech of a ranch hand describing his experience of being struck by lightning and the telegraphic communications of the poet Paul Valery's character Monsieur Teste. Bradford's essay on artistic creativity doubles as a memoir and the works themselves are fascinating--imagine material artwork that avoids all means of adhesion. The preface mentions his book's main themes: death and the scenes that surround it; spiritual intent and mystical experience; artistic creativity and the production of artwork; and the trials of inhabiting a physical body. An obvious fifth theme is our dystopian future. In the style he calls visionary prose Bradford describes just such a dark future.
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