Afterimages of Gilles Deleuze's Film Philosophy

<div> <p>The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature music and the visual arts Deleuze published the first volume of his two-volume study of film <i>Cinema 1: The Movement-Image</i> in 1983 and the second volume <i>Cinema 2: The Time-Image</i> in 1985. Since their publication these books have had a profound impact on the study of film and philosophy. Film media and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought.</p> <p>The first new collection of critical studies on Deleuze's cinema writings in nearly a decade <i>Afterimages of Gilles Deleuze's Film Philosophy</i> provides original essays that evaluate the continuing significance of Deleuze's film theories accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research.</p> <p>Contributors: Raymond Bellour Centre Nationale de Recherches Scientifiques; Ronald Bogue U of Georgia; Giuliana Bruno Harvard U; Ian Buchanan Cardiff U; James K. Chandler U of Chicago; Tom Conley Harvard U; Amy Herzog CUNY; András Bálint Kovács Eötvös Loránd U; Patricia MacCormack Anglia Ruskin U; Timothy Murray Cornell U; Dorothea Olkowski U of Colorado; John Rajchman Columbia U; Marie-Claire Ropars-Wuilleumier U Paris VIII; Garrett Stewart U of Iowa; Damian Sutton Glasgow School of Art; Melinda Szaloky UC Santa Barbara.</p> </div>