Akira Kurosawa and Intertextual Cinema

In Akira Kurosawa and Intertextual Cinema James Goodwin draws on contemporary theoretical and critical approaches to explore the Japanese director''s use of a variety of texts to create films that are uniquely intertextual and intercultural. Surveying all of Kurosawa''s films and examining six films in depth—The Idiot The Lower Depths Rashomon Ikiru Throne of Blood and Ran—Goodwin finds in Kurosawa''s themes and techniques the capacity to restructure perceptions of Western and Japanese cultures and to establish new meanings in each.