America Noir: Underground Writers and Filmmakers of the Postwar Era

In America Noir David Cochran details how ten writers and filmmakers challenged the social pieties prevalent during the Cold War such as the superiority of the American democracy the benevolence of free enterprise and the sanctity of the suburban family. Rod Serlings The Twilight Zone featured victims of vast faceless bureaucratic powers. Jim Thompsons noir thrillers such as The Grifters portrayed the ravages of capitalism on those at the bottom of the social ladder. Patricia Highsmith in The Talented Mr. Ripley placed an amoral con man in an international setting implicitly questioning Americas fitness as leader of the free world. Charles Willefords pulp novels such as Wild Wives and Woman Chaser depicted the family as a hotbed of violence and chaos.. These artists pioneered a detached ironic sensibility that radically juxtaposed cultural references and blurred the distinctions between “high” and “low” art. Their refusal to surrender to the pressures for political conformity and their unflinching portrayal of the underside of American life paved the way for the emergence of a 1960s counterculture that forever changed the way America views itself.