An artist's study of MASTER SELF-PORTRAITS

<p>This little book is the result of an attempt by a painter of modest talent to study master artists by copying their self-portraits. Painting the portraits and producing the book was enjoyable and I believe illuminating. I would recommend the exercise to other painters particularly young artists as a way to learn about the great artists their styles and techniques of painting and of their works more generally. The exercise may be humbling and of value in revealing differences between any superficial likeness of the copy and the depth and skill of the original.</p><p>The three greatest painters in my opinion Giotto Leonardo da Vinci and Michelangelo did not paint self-portraits. Leonardo made a well-known and well-preserved pen and ink drawing and Michelangelo painted his visage in the distorted features of St. Bartholomew the Martyr flayed alive and carrying his own skin in the Sistine Chapel Last Judgment. Caravaggio a masterful artist with a reputation for violence painted his face of the severed head of Goliath in what is surely the most grotesque self-portrait. Rembrandt painted more than seventy self-portraits Frida Kahlo more than fifty. Durer perhaps the greatest of all self-portraitists painted several and did a magnificent silver-point drawing of himself at age thirteen.</p><p>Just as self-portraiture is arguably the most subjective of all art forms so is the viewing of self-portraits and the attraction to particular works highly subjective. My own favorites Masaccio Titian Mantegna Tiepolo Matisse and Beckmann probably reflect my personal preferences for their works. I would like to see and copy self-portraits of Piero Della Francesca Ghirlandaio and Signorelli if any exist. And if I pursue this pleasurable exercise further. I would like to track down and copy other favorites Courbet Vermeer Otto Dix and Edward Hopper.</p><p><br></p><p>Thomas Crawford</p><p>September 2016</p>