An English Translation of the Sushruta Samhita Vol. 2 of 3: With a Full and Comprehensive Introduction Additional Texts Different Readings Notes Comparative Views Index Glossary and Plates; Nidána-Sthána S''árira-Sthána Chikitsitasthána and K

Excerpt from An English Translation of the Sushruta Samhita Vol. 2 of 3: With a Full and Comprehensive Introduction Additional Texts Different Readings Notes Comparative Views Index Glossary and Plates; Nidána-Sthána S''árira-Sthána Chikitsitasthána and Kalapa-Sthána<br><br>Sanskrit works persist in describing Ayurveda as an empirical system destitute of Anatomy Physiology or Pathology in any scientific sense.<br><br>It behoves us however in this preface to meet some of the charges which have been brought against us.<br><br>Exception has been taken to our not includ ing in the opening stanza the usual invocation to the Supreme Self (for a successful completion of the work) although it has found its way into almost all the printed editions of the work extant.<br><br>Now the stanza referred to finds no place in the various manuscript copies of the original work which are in our possession or on which we have been able to lay our hands. The work was first put into print by the late Dr. Madhu sudan Gupta and we believe that it was only in this printed edition that the benedictory address in question appeared for the first time and that it has since crept by the process of circulation into subsequent printed editions.<br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work preserving the original format whilst repairing imperfections present in the aged copy. In rare cases an imperfection in the original such as a blemish or missing page may be replicated in our edition. We do however repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.