This book aims to analyse the film directed by Fernando Meirelles (1955) and scripted by Don McKellar Blindness released in 2008 as an adaptation of José Saramago's (1922-2010) book Ensaio sobre a cegueira published in 1995. To do this we will first contextualise the book and the film in the artistic production of their respective creators in order to make clear the differences between them since the adapter of a literary work does not share the same point of view aesthetic concern or historical moment with its author. We will then present various critical opinions on the relationship between literature and cinema placed chronologically to show the intrinsic relationship that one art form has with the other. In the end we'll be able to see clearly how the study of Literature and Cinema views a film adaptation. A film based on a literary work is neither seen nor analysed as a mere transposition of the book into another medium.
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