Ancient Art Of The Province Of Chiriqui Colombia

Ancient Art of the Province of Chiriqui Colombia by William H. Holmes is a detailed exploration of the art and artifacts found in the Chiriqui region. The book delves into the geography literature peoples cemeteries graves human remains placing of relics and objects of art found in the area. The author discusses the various types of artifacts discovered including mealing stones stools celts arrowpoints spearheads ornaments metal objects pottery and miscellaneous clay objects. The book provides detailed descriptions and illustrations of these artifacts shedding light on the culture and craftsmanship of the ancient Chiriqui people. The text also touches upon the methods of burial the construction of tombs and the significance of the relics found in the graves. Through the analysis of these artifacts the author aims to uncover the history and cultural practices of the ancient inhabitants of the Chiriqui region. The middle of the book delves into the detailed analysis of the ceramic products found in Chiriqui focusing on the unpainted and painted wares. The unpainted ware including the biscuit-like pottery and the black incised group showcases the simplicity and refinement of form with intricate designs and animal motifs. The painted ware classified into ten distinct groups displays a wide range of decorative patterns from geometric designs to motifs inspired by natural forms. The use of slip in various hues as a base for decoration along with colors like red black white and purple adds depth and vibrancy to the vessels. The skilled execution of painted ornamentation combined with the polished surfaces reflects the craftsmanship and artistic sensibilities of the ancient potters in Chiriqui. The analysis also touches upon the methods of manufacturing including incising and modeling highlighting the meticulous attention to detail and the cultural significance of the pottery in the region. The middle section of the book discusses various artifacts found in Chiriqui focusing on pottery and clay objects. The artifacts include spindle whorls needlecases figurines stools and vases. The vases are classified into different groups based on their design and decoration. The alligator group of vases features highly conventionalized animal figures particularly alligators depicted in red and black colors. The polychrome group showcases vases with elaborate designs in red black and purple colors. The unclassified objects include unique forms and decorations that do not fit into any specific group. The figurines found in Chiriqui are small carefully finished and painted in red and black to represent semihuman figures. Stools modeled in clay are among the most elaborate products of Chiriquian art featuring circular tablets supported by upright walls or figures. The construction of these stools involves separate modeling of parts that are then assembled together. The artifacts suggest a sophisticated level of craftsmanship and possibly served religious or ceremonial purposes. The book provides a detailed analysis of the art and artifacts found in a small region of the isthmian area indicating a long history of cultural occupation. The art predominantly in stone metal and clay showcases unique aboriginal designs and craftsmanship. Metal objects including gold and bronze ornaments are predominantly animal forms while clay artifacts like vases and figurines display intricate decorations. The ceramic art is particularly noteworthy for its aesthetic features with elements derived from both art and nature. The study delves into the evolution of ornament elements and their symbolic significance shedding light on the cultural practices and beliefs of the ancient inhabitants. The book also includes an index referencing various archaeological findings and researchers involved in the study of Chiriquian art.