And So We Come Forth

<p>  A minor masterpiece...that authenticates Zoom as a grown-up dramatic medium. Five Stars</p><p> Sunday Times (UK)</p><p><br></p><p>  The question hangs in the virtual air of AND SO WE COME FORTH Richard Nelson's wistfully stirring new Apple Family play. 'What have we done to ourselves?' </p><p>The Washington Post</p><p><br></p><p>  Powerful.</p><p> The New York Times </p><p><br></p><p>  Richard Nelson's extraordinary intimate saga.</p><p>Variety</p><p><br></p><p>  Couldn't be more current more relevant more poignant more powerful.</p><p> Northwest Herald (Illinois)</p><p><br></p><p>  The effect is kind of a balm to the audience as we identify with the family's unease uncertainty and unfamiliar emotions.... The family ask[s] whether art will still be important as part of the human experience in whatever the new world there will be after this... This play is itself the answer.</p><p> Gay City News</p><p><br></p><p>  The Apple Family is back offering much-needed comfort... By giving voice to the anxieties and angers felt by so many these days Nelson's characters have become old friends...</p><p>Lighting and Sound America</p><p><br></p><p>  The beauty of Nelson's Apple Family Cycle lies in the context. Like the concentric circles in Chekhov's plays characters contemplate the past and the future.</p><p>Theater Pizzazz</p>