Apocalyptic Patterns in Twentieth-Century Fiction

<p>David J. Leigh explores the innovative influences of the Book of Revelation and ideas of an end time on fiction of the twentieth century and probes philosophical political and theological issues raised by apocalyptic writers from Walker Percy C. S. Lewis and Charles Williams to Doris Lessing Thomas Pynchon Don DeLillo. Leigh tackles head on a fundamental question about Christian-inspired eschatology: Does it sanction as theologically sacred or philosophically ultimate the kind of last battles between good and evil that provoke human beings to demonize and destroy the other? Against the backdrop of this question Leigh examines twenty modern and postmodern apocalyptic novels juxtaposing them in ways that expose a new understanding of each. The novels are clustered for analysis in chapters that follow seven basic eschatological patterns-the last days imagined as an ultimate journey a cosmic battle a transformed self an ultimate challenge the organic union of human and divine the new heaven and new earth and the ultimate way of religious pluralism. For religious novelists these patterns point toward spiritual possibilities in the final days of human life or of the universe. For more political novelists-Ralph Ellison Russell Hoban and Salman Rushdie among them-the patterns are used to critique political or social movements of self-destruction. Beyond the twenty novels closely analyzed Leigh makes pertinent reference to many more as well as to reflections from theologians Jürgen Moltmann Zachary Hayes Wolfhart Pannenberg and Paul Ricoeur. Both a guidebook and a critical assessment Leigh's work brings theological concepts to bear on end-of-the-world fiction in an admirably clear and accessible manner.</p> <p.David J. Leigh's lucid and informative book conducts a lively travelogue among novels modern and postmodern as well as a dialogue between literature literary theory and contemporary theology and philosophy. His shrewd and humane account reminds us how fundamental and pervasive in cultural representation is the perception and creation of an 'end'-as activating goal as pleasurable climax and as a meaning-laden values-confirming 'ultimate'. -Judith Wilt Newton College Alumnae Chair in Western Culture Department of English Boston College</p> <p>In his new book David J. Leigh uses an interdisciplinary lens to scrutinize the place of eschatology and apocalypse in literature. He mines a wonderfully diverse array of case studies-from science fiction to fantasy to postmodernism to postcolonial genres-to find rich theological readings bearing on twentieth-century concerns. -Mark Bosco S.J. Loyola University Chicago</p> <p>David Leigh brings his impressive background in philosophy theology and literary theory to bear on twenty writers of the twentieth century who through apocalyptic imagery and motifs explore ultimate reality and end time. While painstakingly aware of the many differences among these writers he convincingly argues that these texts use a variety of genres to embody in concrete and imaginative ways human experiences of ultimacy. -Philip Rule S.J. Holy Cross College</p> <p>David Leigh has made a major contribution to our understanding of the apocalyptic tradition in 20th century fiction. Along the way Leigh introduces us to a remarkable array of fiction-from science fiction to literature of death to specific African American works like Frederick Douglass's <i>Narrative</i> Ralph Ellison's <i>The Invisible Man</i> and to examples from Post-Colonial fiction like Salman Rushdie's <i>Midnight's Children</i> and Shusaku Endo's <i>Deep River</i>. Leigh's work is required reading for students interested in connections between religion and literature. -John L. Mahoney Rattigan Professor of English Boston College