Architectural Invention in Renaissance Rome

Villa Madama Raphael''s late masterwork of architecture landscape and decoration for the Medici popes is a paradigm of the Renaissance villa. The creation of this important unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board as well as ground plans letters and antiquities once installed there Yvonne Elet reveals the design process to have been a dynamic collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process and the dialectic of text and architectural form illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge visual and verbal has important implications for the relation of architecture and language meaning in architecture and the translation of idea into form.