<p>This third and final collection of Comte de L&rsquo;Estoille&rsquo;s works features Les Amoureuses a collection of short prose poems and dramas including &ldquo;Gyptis&rdquo; a tragedy set within the context of L&rsquo;Estoille&rsquo;s pseudohistory of Gaul and &ldquo;Marthe&rdquo; and &ldquo;Rosalie&rdquo; both resentful responses to the French defeat in the Franco-Prussian War. It also contains the more upbeat &ldquo;Argentine&rdquo; and &ldquo;Lemmi Kainen&rdquo; both reflective of a burst of interest in Scandinavian mythology among French neo-Romantic writers borrowing motifs from Hans Christian Andersen.</p><p><br />As an eccentric representative of the literary avant garde L&rsquo;Estoille was always perhaps a little too and paradoxical but that is not a bad thing in a Decadent artist. He was a maverick even within that motley maverick school but for connoisseurs of the unusual that serves only to make him even more interesting as a writer and as a man.</p>
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