BASTARDS AND FOUNDLINGS

In this compelling interdisciplinary study of what has been called the century of illegitimacy Lisa Zunshine seeks to uncover the multiplicity of cultural meanings of illegitimacy in the English Enlightenment. <i>Bastards and Foundlings</i> pits the official legal views on illegitimacy against the actual everyday practices that frequently circumvented the law; it reconstructs the history of social institutions called upon to regulate illegitimacy such as the London Foundling Hospital; and it examines a wide array of novels and plays written in response to the same concerns that informed the emergence and functioning of such institutions. By recreating the context of the national preoccupation with bastardy with a special emphasis on the gender of the fictional bastard/foundling Zunshine offers new readings of canonical texts such as Steele's <i>The Conscious Lovers</i> Defoe's <i>Moll Flanders</i> Fielding's <i>Tom Jone</i>s Moore's <i>The Foundling</i> Colman's <i>The English Merchant</i> Richardson's <i>Clarissa</i> and <i>Sir Charles Grandison</i> Burney's <i>Evelina</i> Smith's <i>Emmeline</i> Edgewort's <i>Belinda</i> and Austen's <i>Emma</i> as well as of less well-known works such as Haywood's <i>The Fortunate Foundlings</i> Shebbeare's <i>The Marriage Act</i> Bennett's <i>The Beggar Girl and Her Benefactor</i>s and Robinson's <i>The Natural Daughter</i>.