A Brilliant And Fiercely Pitched Sonnet Cycle About Love: At Once Passionate Forbidden And Doomed . John Berryman Was An Unconventional Poet But He Must Have Surprised Even Himself When In His Thirties He Found He Was Suddenly Compelled To Write Sonnets. It Was An Unusual Choice—Even An Unpopular One—For A Poet In A Midcentury American Literary Scene That Was Less Interested In Forms. But It Was The Right Choice For Berryman Found Himself In A Situation That Called For The Sonnet: After Several Years Of A Happy Marriage He Had Fallen Helplessly Hopelessly In Love With The Young Wife Of A Colleague. Passion Sought; Passion Requited; Passion Delayed; And Finally Passion Utterly Thwarted: This Is How The Poet April Bernard In Her Vivid Intimate Introduction Characterizes The Sonnet Cycle And It Is The Cycle That Berryman Found Himself Caught Up In. Of Course The Affair Was Doomed To End And End Badly. But In The Meantime On The Page Berryman Performs A Spectacular Dance Of Tender Obsessive Impossible Love In His Characteristic Tonal Mixture Of Bravado And Lacerating Shame-Facedness. Here Is The Poet As Lover Genius And Also In Bernard'S Words As Nutcase. In Berryman'S Sonnets The Poet Draws On The Models Of Petrarch And Sidney To Reanimate And Reimagine The Love-Sonnet Sequence. Complex Passionate Filled With Verbal Fireworks And The Emotional Strains Of Joy Terror Guilt And Longing These Poems Are Ripe For Rediscovery By Contemporary Readers.
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