This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality science and political society. In doing so it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral cognitive and political interests.The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely the third Earl of Shaftesbury David Hume and Adam Smith. Part II explores the ways in which eighteenth-century German and German-oriented thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant Moses Mendelssohn Alexander Gottlieb Baumgarten and Madame de Staël. Finally Part III explores the interrelation of science aesthetics and a new model of society in the work of Goethe Johann Wilhelm Ritter Friedrich Hölderlin and William Hazlitt among others.This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics philosophy and literature it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.The Introduction and Chapters 2 10 and 12 of this book are freely available as downloadable Open Access PDFs at taylorfrancis under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
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