Bigger Than Life

In <i>Bigger Than Life</i> Mary Ann Doane examines how the scalar operations of cinema especially those of the close-up disturb and reconfigure the spectator's sense of place space and orientation. Doane traces the history of scalar transformations from early cinema to the contemporary use of digital technology. In the early years of cinema audiences regarded the monumental close-up particularly of the face as grotesque and often horrifying even as it sought to expose a character's interiority through its magnification of detail and expression. Today large-scale technologies such as IMAX and surround sound strive to dissolve the cinematic frame and invade the spectator's space immersing them in image and sound. The notion of immersion Doane contends is symptomatic of a crisis of location in technologically mediated space and a reconceptualization of position scale and distance. In this way cinematic scale and its modes of spatialization and despatialization have shaped the modern subject interpolating them into the incessant expansion of commodification.