Howard Barker's theatre is characterized by its tragic scale and its distinctive way of exposing the unconscious resistances that underlie apparent social unanimity both in the sexual and political spheres.<br/><br/>Barker's play BLOK/EKO is a large-scale drama about death and its status in the world. Eko an ageing despot seemingly on a whim liquidates the entire medical profession asserting that consolation - in the form of song - is a better way with sickness than drugs or surgery. A connoisseur herself she knows great song is itself the distillation of suffering and so deliberately exposes her greatest poet Tot to a life of crime poverty and humiliation in order to extract from him his finest work.<br/><br/>BLOK/EKO is the first outcome of Barker's residence as Creative Fellow at the University of Exeter (2010-2012) and the main element of his Plethora/Bare Sufficiency project.<br/>
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