Traditional polemical histories of Bohemia and Moravia identify the period from the early seventeenth to the second half of the eighteenth-century as a period of darkness - particularly in terms of Czech-language culture. This book challenges that interpretation from the perspective of musical culture and demonstrates that this was in fact a vibrant productive and innovative period both for music in the Czech language and instrumental music. Focussing on the distinctive nature of Czech-language education and devotion along with Germanic traditions and the prominent role of rural life in shaping musical culture it reveals a new understanding of Czech musical practices and repertoires - as a beguiling blend of the older non-conformist vernacular traditions with the new theatrical Italian styles and genres.
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