<p>&ldquo;Gaspar Orozco&rsquo;s extraordinary <em>Book of the Peony</em> blew me away by a storm of quiet flame and blackness and nothing everythingness. I am writing this from Pont-Aven where I have come to write about colonies and gatherings of artists&nbsp; before regaining (what an <em>inappropri&eacute;</em>&nbsp; word) and suddenly this poetry hits me in the Breton chill with&mdash;I can&rsquo;t say what&mdash;a dark blaze when I expected I have no idea what?</p><p>&nbsp;&nbsp; &nbsp;I had been thinking ah peony like <em>pens&eacute;e</em> like a beloved and delicate pansy of thought but this peony is nearer the chrysanthemum of Japanese writing from long ago. This remarkable poetry brings the long ago into nowness if I can put it like that. It lights from far and also near burning.&rdquo; &nbsp;&nbsp;&mdash;Mary Ann Caws</p>
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