Boys Abducted

In <i>Boys Abducted</i> Abdulhamit Arvas explores the history of abducted boys in English and Ottoman literary and visual culture to examine the relationships between homoeroticism race and empire in the early modern period. The popular literary trope of the abducted beautiful boy-often eroticized as an exotic object of desire-intersects with the historical phenomenon of vulnerable youths who were captured and exchanged within the global traffic in bodies. Arvas offers a queer-historicist analysis of a wide array of Ottoman and English texts and genres ranging from poetry drama and travelogue to chronicles maps and visual arts. He shows how the boy in these representations crosses boundaries between nations and empires embodying the tensions and dissonances between the aestheticized eroticism of literary and cultural representations and the violent history of abductions conversions and enslavements. In so doing Arvas presents complex parallels and connections between the two societies highlighting the circulation of sexual and racial discourses in imperial imaginings to uncover discursive formations and formulations of sexuality race and empire.