Brahms in the Home and the Concert Hall

Johannes Brahms was a consummate professional musician and a successful pianist conductor music director editor and composer. Yet he also faithfully championed the world of private music-making creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms'' public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own but also other composers'' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point the contributors trace the overlapping worlds of public and private music-making in the nineteenth century discussing the boundaries between the composer''s professional identity and his lifelong engagement with amateur music-making.