<p><span style=color: rgba(0 0 0 1)>This chapbook examines the aestheticization of plants in colonial discourses and </span>charts visualizations of art histories that use the tree as a metaphor. In doing so Miriam Oesterreich considers <span style=color: rgba(0 0 0 1)>how 'tropicalized' tree forms have been reappropriated to portray a more 'worlded' art history.&nbsp;</span>In<span style=color: rgba(0 0 0 1)> the mid-twentieth century prominent visual artists including Miguel Covarrubias Alfred Barr and Ad Reinhardt featured trees of art as canonizing illustrations of Western art history.&nbsp;Using Pablo León de la Barra's poster&nbsp;</span><em style=color: rgba(0 0 0 1)>Diagrama Tropical/Nova Cartografia Tropical</em><span style=color: rgba(0 0 0 1)>&nbsp;(2010) as a starting point&nbsp;</span><em style=color: rgba(0 0 0 1)>Branching Out </em><span style=color: rgba(0 0 0 1)>discusses works by contemporary artists from Latin America and the Caribbean to look at the subversive potential in reimagining plant images and metaphors. </span></p>
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