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About The Book
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<p>Shafer's study challenges the conventional historical assumption that British feature films during the Thirties were mostly oriented to the middle-class. Instead he makes the critical distinction between films intended for West End and international circulation and those intended primarily for domestic working-class audiences. Far from being alientated by a 'middle-class institution' working men and women flocked to see pictures featuring such music-hall luminaries as Gracie Fields and George Formby.</p>