<p>&quot;Cape Town&rsquo;s public cultures can only be fully appreciated through recognition of its deep and diverse soundscape. We have to listen to what has made and makes a city. The ear is an integral part of the &lsquo;research tools&rsquo; one needs to get a sense of any city. We have to listen to the sounds that made and make the expansive &lsquo;mother city&rsquo;. Various of its constituent parts sound different from each other &hellip; [T]here is the sound of the singing men and their choirs (&ldquo;teams&rdquo; they are called) in preparation for the longstanding annual Malay choral competitions. The lyrics from the various repertoires they perform are hardly ever written down. [&hellip;] There are texts of the hallowed &lsquo;Dutch songs&rsquo; but these do not circulate easily and widely. Researchers dream of finding lyrics from decades ago not to mention a few generations ago &ndash; back to the early 19th century. This work by Denis Constant Martin and Armelle Gaulier provides us with a very useful selection of these songs. More than that it is a critical sociological reflection of the place of these songs and their performers in the context that have given rise to them and sustains their relevance. It is a necessary work and is a very important scholarly intervention about a rather neglected aspect of the history and present production of music in the city.&quot; &mdash; &nbsp;Shamil Jeppie Associate Professor Department of Historical Studies University of Cape Town</p>
Piracy-free
Assured Quality
Secure Transactions
Delivery Options
Please enter pincode to check delivery time.
*COD & Shipping Charges may apply on certain items.