Challenging Memories and Rebuilding Identities
by
English

About The Book

<p>Taking an original approach, <em>Challenging Memories and Rebuilding Identities: Literary and Artistic Voices that undo the Lusophone Atlantic </em>explores a selected body of cultural works from Portugal, Brazil and Lusophone Africa. Contributors from various fields of expertise examine the ways contemporary writers, artists, directors, and musicians explore canonical forms in visual arts, cinema, music and literature, and introduce innovation in their narratives, at the same time they discuss the social and historical context they belong to. </p> <p>Introduction, <i>Margarida Rendeiro</i> and <i>Federica Lupati</i></p><p></p><p>1. Bridging Borders: Travelling through Ruy Duarte de Carvalho’s Life and Works</p><p></p><p><i>Hilarino da Luz</i></p><p></p><p>2. Spousal Violence: Violent Masculinity in Ferréz and Marcelino Freire</p><p></p><p><i>André Nascimento</i></p><p></p><p>3. An Infernal Eden: Postmodern Apocalyptic Tone in <i>Deus-dará</i> and its Use as a Critique of Lusophone Racism</p><p></p><p><i>Maggie L.N. Felisberto</i></p><p></p><p>4. To Decolonize is to Perform: The Theory-in-Praxis of Grada Kilomba</p><p></p><p><i>Inês Beleza Barreiros </i>and<i> Joacine Katar Moreira</i></p><p></p><p>5. Recognition on the Walls: Street Art and <i>Pixo</i> in São Paulo, <i>Alexandre Barbosa Pereira</i></p><p></p><p>6. Streets of Revolution: Analyzing Representations of the Carnation Revolution in Street Art</p><p></p><p><i>Margarida Rendeiro</i></p><p></p><p>7. "Dance is a Disguise": Batida and the ‘infrapolitics’ of Dance Music in Postcolonial Portugal</p><p></p><p><i>Pedro Schacht Pereira</i></p><p></p><p>8. The Luso and Rap: The Political Reinvention of Language</p><p></p><p><i>Susan de Oliveira</i></p><p></p><p>9. Revolution and Poetry: Portuguese Rap as a Contemporary Practice of Protest Songs</p><p></p><p><i>Federica Lupati</i></p><p></p><p>10. Tragic Revolutions on Screen: Decolonization revisited in <i>Cavalo Dinheiro</i> [<i>Horse Money] </i>(2014) by Pedro Costa and <i>Virgem Margarida</i> [<i>Virgin Margarida] </i>(2012) by Licínio Azevedo</p><p></p><p><i>Anna Mester</i></p><p></p><p>11. Scaring the Canon, Criticizing the Country: Brazilian Horror Film in the 21st Century</p><p></p><p><i>Jeremy Lehnen</i></p><p></p><p>12. Filming Ghosts: Reviving Memories in Haunted Spaces, Personal Reflections</p><p></p><p><i>Pedro Neves</i></p>
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