<p>In a culture as steeped in communal scripted acts of prayer as Chaucer&#39;s England a written prayer asks not only to be read but to be inhabited: its &quot;I&quot; marks a space that readers are invited to occupy. This book examines the implications of accepting that invitation when reading Chaucer&#39;s poetry. Both in his often-overlooked pious writings and in his ambitious innovative pagan narratives the &quot;I&quot; of prayer provides readers with a subject-position that can be at once devotional and literary - a stance before a deity and a stance in relation to a poem. Chaucer uses this uniquely open participatory &quot;I&quot; to implicate readers in his poetry and to guide their work of reading.<br />In examining Christian and pagan prayers alongside each other <em>Chaucer&#39;s Prayers</em> cuts across an assumed division between the &quot;religious&quot; and &quot;secular&quot; writings within Chaucer&#39;s corpus. Rather it emphasizes continuities and approaches prayer as part of Chaucer&#39;s broader experimentation with literary voice. It also places Chaucer in his devotional context and foregrounds how pious practices intersect with and shape his poetic practices. These insights challenge a received view of Chaucer as an essentially secular poet and shed new light on his poetry&#39;s relationship to religion.<br /><br />MEGAN MURTON is Assistant Professor of English at The Catholic University of America.</p>
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