Cinderella''s Glass Slipper studies Renaissance material cultures through the literary prism of fairy-tale objects. The literary fairy-tale first arose in Renaissance Venice originating from oral story-telling traditions that would later become the Arabian Nights and subsequently in the Parisian salons of Louis XIV. Largely written by for and in the name of women these literary fairy-tales took a lightly comic view of life''s vicissitudes especially female fortune in marriage. Connecting literary representations of bridal goods - dress jewellery carriages toiletries banqueting and confectionary foods - to the craft histories of their making this Element offers a newly-contextualised socio-economic account of Renaissance luxe from architectural interiors to sartorial fashioning and design. By coupling Renaissance luxury wares with their fairy-tale representation it locates the recherch materialities of bridal goods - gold silver diamonds and silk - within expanding colonialist markets of a newly-global early modern economy in the age of discovery.
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