<p><b><em>Cinemasaurus </em>examines contemporary Russian cinema as a new visual economy emerging over three decades after the Soviet collapse.&#160;</b></p><p>&#160;Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered the volume's contributors-the new generation of US scholars studying Russian cinema&#8212;examine four issues of Russia&#8217;s transition:&#160;</p><p></p><ul><li>Its imperial legacy&#160;</li><li>The emergence of a film market and its new genres&#160;</li><li>Russia&#8217;s uneven integration into European values and hierarchies&#160;</li><li>The renegotiation of state power <em>vis-&#224;agrave;-vis</em> arthouse and independent cinemas.&#160;</li></ul>&#160;An introductory essay frames each of the four sections with 90 films total under discussion concluding with a historical timeline and five interviews of key film-industry figures formative of the historical context.<p></p>
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