City and the Stage

<p>What role did poetry music song and dance play in the social and political life of the ancient Greek city? How did philosophy respond to position itself against and articulate its own ambitions in relation to the poetic tradition? How did ancient philosophers theorize and envision alternatives to fourth-century Athenian democracy? <em>The City and the Stage </em>poses such questions in a study of the Laws Plato's last longest and unfinished philosophical dialogue. Reading the Laws in its literary historical and philosophical contexts this book offers a new interpretation of Plato's final dialogue with the Greek poetic tradition and an exploration of the dialectic between philosophy and mimetic art. Although Plato is often thought hostile to poetry and famously banishes mimetic art from the ideal city of the Republic The City and the Stage shows that in his final work Plato made a striking about-face proposing to rehabilitate Athenian performance culture and envisaging a city Magnesia in which poetry music song and dance are instrumental in the cultivation of philosophical virtues. Plato's views of the performative properties of music dance and poetic language and the psychological underpinnings of aesthetic experience receive systematic treatment in this book for the first time. The social role of literary criticism the power of genres to influence a society and lead to specific kinds of constitutions performance as a mechanism of gender construction and the position of women in ancient Greek performance culture are central themes throughout this study. A wide-ranging examination of ancient Greek philosophy and fourth-century intellectual culture <em>The City and the Stage</em> will be of significance to anyone interested in ancient Greek literature performance and Platonic philosophy in its historical contexts.</p><p> </p>