Clandestine Encounters

<p>Maurice Blanchot is perhaps best known as a major French intellectual of the twentieth century: the man who countered Sartre's views on literature who affirmed the work of Sade and Lautréamont who gave eloquent voice to the generation of '68 and whose philosophical and literary work influenced the writing of among others Jacques Derrida Gilles Deleuze and Michel Foucault. He is also regarded as one of the most acute narrative writers in France since Marcel Proust.</p><p> In <i>Clandestine Encounters</i> Kevin Hart has gathered together major literary critics in Britain France and the United States to engage with Blanchot's immense fascinating and difficult body of creative work. Hart's substantial introduction usefully places Blanchot as a significant contributor to the tradition of the French philosophical novel beginning with Voltaire's <i>Candide</i> in 1759 and best known through the works of Sartre. <i>Clandestine Encounters</i> considers a selection of Blanchot's narrative writings over the course of almost sixty years from stories written in the mid-1930s to <i>L'instant de ma mort</i> (1994). Collectively the contributors' close readings of Blanchot's novels recits and stories illuminate the close relationship between philosophy and narrative in his work while underscoring the variety and complexity of these narratives.</p><p>Contributors: Christophe Bident Arthur Cools Thomas S. Davis Christopher Fynsk Rodolphe Gasché Kevin Hart Leslie Hill Michael Holland Stephen E. Lewis Vivian Liska Caroline Sheaffer-Jones Christopher A. Strathman Alain Toumayan</p>