<p>Five provocative and surprising one-act plays about all manner of need love and survival.</p><p><br></p><p>&nbsp;&nbsp;Kermit Frazier is one of the most underrated under-the-radar African American playwrights of his generation.... [His] plays are both lyrical and richly theatrical. And while they typically deal unflinchingly with the landscape of African American life and the socio-political issues of that life the scope of his work ranges far beyond that culture.</p><p>Woodie King Jr. Producing Director New Federal Theatre</p><p><br></p><p>DINAH WASHINGTON IS DEAD</p><p>Two Black Air Force officers struggle to cope with isolation and longing in West Texas.</p><p>&nbsp;&nbsp;Frazier has a perceptive feel for the rhythms of battle between lovers.... This is a beautifully shaped play...</p><p>Damien Jaques Milwaukee Journal</p><p><br></p><p>CLASS REUNION</p><p>Three Black former high school classmates meet in a mind-twisting revelatory reunion.</p><p>&nbsp;&nbsp;...[a] relentlessly haunting piece of writing. ...a bizarrely beautiful work that like life is better equipped with questions than with answers.</p><p>Joseph Hurley Other Stages</p><p><br></p><p>THE EXTERMINATOR</p><p>An elderly white woman strives to survive through memory hope and strange visitations in a seemingly contentious urban landscape.</p><p><br></p><p>A BIRD'S EYE VIEW</p><p>Two Black male figures search for purpose and companionship in a disruptive destructive principally white world.</p><p><br></p><p>ELSE</p><p>In the frightening chaotic early months of the COVID-19 pandemic a Black mother and daughter come together both to grieve and to search for reconciliation.</p><p><br></p><p><br></p><p><br></p><p><br></p><p><br></p>