<p><strong>Prague as a vital Cold War hub for South Asian artists.</strong></p><p>During the Cold War the Central-European capital city Prague along with other previously less noticed locations in the polarised post-war world emerged as a key site where an art world of particular importance for artists from South Asia developed. By emphasising cultural mobility as a catalyst for exchange and network building this book challenges and complicates assumptions about Cold War binaries of East and West and the polarisation between so-called totalitarian regimes and free cultures. Positioning Prague as a nexus where South-Asian modernisms intersected with multiple peoples histories and ideologies in the post-World War II era it offers a narrative of decolonisation that rejected rigid systemic alignment in favour of participation across blocs by prioritising migratory aesthetics over nationalist parochialism. Well-researched and rich in archival materials this book proposes new ways of writing art histories and makes a significant contribution to both Cold War studies and critical global modernism studies.</p>
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