Conflict Landscapes and Archaeology from Above

The study of conflict archaeology has developed rapidly over the last decade, fuelled in equal measure by technological advances and creative analytical frameworks. Nowhere is this truer than in the inter-disciplinary fields of archaeological practice that combine traditional sources such as historical photographs and maps with 3D digital topographic data from Airborne Laser Scanning (ALS) and large scale geophysical prospection. For twentieth-century conflict landscapes and their surviving archaeological remains, these developments have encouraged a shift from a site oriented approach towards landscape-scaled research. This volume brings together an wide range of perspectives, setting traditional approaches that draw on historical and contemporary aerial photographs alongside cutting-edge prospection techniques, cross-disciplinary analyses and innovative methods of presenting this material to audiences. Essays from a range of disciplines (archaeology, history, geography, heritage and museum studies) studying conflict landscapes across the globe throughout the twentieth century, all draw on aerial and landscape perspectives to past conflicts and their legacy and the complex issues for heritage management. Organized in four parts, the first three sections take a broadly chronological approach, exploring the use of aerial evidence to expand our understanding of the two World Wars and the Cold War. The final section explores ways that the aerial perspective can be utilized to represent historical landscapes to a wide audience. With case studies ranging from the Western Front to the Cold War, Ireland to Russia, this volume demonstrates how an aerial perspective can both support and challenge traditional archaeological and historical analysis, providing an innovative new means of engaging with the material culture of conflict and commemoration. <p>Contents</p><p>List of Figures</p><p>Notes on Contributors</p><p>Acknowledgements</p><p>Series Editors’ Preface, by Nicholas J. Saunders and Paul Cornish</p><p>Introduction: Conflict Landscapes and Archaeology from Above</p><p>Birger Stichelbaut and Dave Cowley</p><p>1 The Archaeology of World War I in Comines-Warneton (Belgium) through Aerial Photographs and Proximal Soil Sensing</p><p>Wouter Gheyle, Timothy Saey, Yannick Van Hollebeeke, Stephanie Verplaetse, Nicolas Note, Jean Bourgeois, Marc Van Meirvenne, Veerle Van Eetvelde and Birger Stichelbaut</p><p>2 Bellewaarde Ridge (Belgium): Survey of a World War I Landscape</p><p>Marc Dewilde, Hilde Verboven and Franky Wyffels</p><p>3 Contested Landscape: La Boisselle and the Glory Hole</p><p>Peter Masters</p><p>4 World War I Remains in Scotland: Aerial Photography as Heritage</p><p>Allan Kilpatrick</p><p>5 Protecting the Home Front: Understanding and Conservation of Twentieth-century Conflict Landscapes in England</p><p>Helen Winton</p><p>6 Airborne Laser Scanning and the Archaeological Interpretation of Ireland’s World War I Landscape: Randalstown Training Camp, County Antrim, Northern Ireland</p><p>Heather A. Montgomery and Rory W.A. McNeary</p><p>7 Aerial Perspectives on Archaeological Landscapes: The Anzac/Arıburnu Battlefields, Gallipoli, Turkey</p><p>Jessie Birkett-Rees</p><p>8 Landscapes of Death and Suffering: Archaeology of Conflict Landscapes of the Upper Soča Valley, Slovenia</p><p>Dimitrij Mlekuž, Uroš Košir and Matija Črešnar</p><p>9 The ‘Gas-scape’ on the Eastern Front, Poland (1914–2014): Exploring the Material and Digital Landscapes and Remembering Those ‘Twice-Killed’</p><p>Anna Zalewska</p><p>10 Remembering Uncertainty: The World War II Warscape of the Australian Northern Territory</p><p>Keir Reeves, Birger Stichelbaut and Gertjan Plets</p><p>11 World War II Conflict and Post-conflict Landscapes in Northwest France: An Evaluation of the Aerial Photographic Resource</p><p>David G. Passmore, David Capps Tunwell and Stephan Harrison</p><p>12 Mapping Unexploded Ordnance in Italy: The Role of World War II Aerial Photographs</p><p>Elizabeth Jane Shepherd</p><p>13 Erased Landscapes: Conflict, Memory and Post-World War II Landscape Transformation in Western Poland</p><p>Grzegorz Kiarszys</p><p>14 A Cold War Conflict Landscape in the Borderlands of West Bohemia</p><p>Michal Rak, Lukáš Funk and Lenka Starková</p><p>15 ‘Anzac from the Air’: Re-imagining the Australian War Memorial’s Gallipoli Aerial Collection</p><p>Luke Diggins, Kate Morschel and Snow</p><p>16 Italian World War I Aerial Photographs for Landscape Study and Public Engagement</p><p>Roberta Cuttini</p><p>17 The Aerial Perspective in a Museum Context: Above Flanders Fields 1914–1918</p><p>Birger Stichelbaut and Piet Chielens</p><p>Index</p>