Contemporary European Cinema

<p>This book offers a range of accounts of the state of "European Cinema" in a specific sociopolitical era: that of the global economic crisis that began in 2008 and the more recent refugee and humanitarian crisis. With the recession having become a popular theme of economic, demographic, and sociological research in recent years, this volume examines representations of the crisis and its attendant market instability and mistrust of neoliberal political systems in film. It thus sheds light on the mediation, reimagination, and reformulation of recent history in the depiction of personal, cultural, and political memories, and raises new questions about crisis narratives in European film, asking whether the theoretical notion of "national" cinema is less or more powerful during moments of sociopolitical turbulence, and investigating the kinds of cultural representations and themes that characterize the narratives of European documentary and fictional films from both small and large national markets.</p> <p>Introduction: Contested Terms, the European Union Contribution and a Financial Crisis</p><p></p><p>1. National, Transnational and Intermedial Perspectives in post-2008 European Cinema</p><p></p><p>2. France after the Crisis: Work, Home and Flexible Solidarity in <i>Les neiges du Kilimandjaro </i>(2011)<i> </i>and <i>Ma part du gateau </i>(2011)</p><p></p><p>3. Spanish Science Fiction Film in Times of Emergency: Crisis and Entrapment in Nacho Vigalondo’s <i>Extraterrestrial</i> and David and Álex Pastor’s <i>The Last Days</i></p><p></p><p>4. Narratives of Migration and the Sense of Crisis in post-2008 European Cinema</p><p></p><p>5. Undocumented Migration in European Borderlands: Re-locating the Crisis in Contemporary Documentaries</p><p></p><p>6. Post-2008 European Comedies of Crisis: <i>La vida inesperada </i>and <i>Casse-tête chinois</i></p><p></p><p>7. Depression as Aesthetic Answer to the Socioeconomic Crisis in <i>Two Days, One Night</i></p><p></p><p>8. French and Italian Co-Production Redux: The Fondo Initiative</p><p></p><p>9. The Contemporary Serbian Film Industry: Issues of Production and Distribution (2008−2017) </p><p></p><p>10. <i>La jeunesse désaffectée</i> in Contemporary Serbian Cinema</p><p></p><p>11. The Greek New Wave: Representing Work and Unemployment in Crisis</p><p></p><p>12. Contemporary Greek and Polish "Best Foreign Language Films" in an Age of Austerity</p><p></p><p>Index</p>