Critical Companion to Medieval Motets

<p>Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover these compositions are intrinsically involved in the early development of polyphony. This volume - the first to be devoted exclusively to medieval motets - aims to provide a comprehensive guide to them from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical poetic and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France England and Italy. It also seeks to question many traditional assumptions and received opinions in the area. The first part of the book considers core concepts in motet scholarship: issues of genre relationships between the motet and other musico-poetic forms tenor organization isorhythm notational development social functions and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces compositional techniques collections and subgenres. Jared C. Hartt is Associate Professor of Music Theory at the Oberlin College Conservatory of Music. Contributors: Margaret Bent Jacques Boogaart Catherine A. Bradley Alice V. Clark Suzannah Clark Karen Desmond Lawrence Earp Sarah Fuller John Haines Jared C. Hartt Elizabeth Eva Leach Dolores Pesce Gaël Saint-Cricq Jennifer Saltzstein Matthew P. Thomson Stefan Udell Anna Zayaruznaya Emily Zazulia</p>