Critical Perspectives on Dramatists: Themes and Techniques

The anthology is remarkable for its multidimensional expressions. It contains the articles; A Whore Can’t Be Raped by Dr. Bishnu Prasad Varma Indian Theatrical Techniques and Verfremdung (Alienation) Effect in Naga-Mandala by Dr. Hinchha Narayan Vishwakarma New Dramatic Techniques as a Response to Traditional Structures in Suzan-Lori Parks’ In The Blood by Emmerencia Beh Sih Theme and Dramatic Techniques in Dattani’s Thirty Days in September by Prof. Dr. Ravi Chapke Stagecraft and Techniques in Mahesh Dattani’s Tara by Prof. Sarita Uttamrao Chandankar (Chapke) Existence Power and Narration: A Study of Samuel Beckett’s Waiting for Godot by Sanjna Plawat Delineation of Women Characters in the Selected Plays of Girish Karnad by Yasmeena Jan and Dr. Shachi Sood Is Mrs Meldon a Murderer or Pacifist?: A study of St. John Ervine’s one-act play Progress by Basudeb Saha Anton Chekov: The Struggle with Realism by Dr Lakshmi Balaji and Socio-Political Consciousness in Asif Currimbhoy’s Inquilab by Vinay Kumar Dubey.