Cubana: Contemporary Fiction by Cuban Women

Until recently the combination of a Cuban old boys network and an ideological emphasis on tough writing kept fiction by Cuban women largely unknown and unread. Cubana the U.S. version of a groundbreaking anthology of womens fiction published in Cuba in 1996 introduces these once-ignored writers to a new audience. Havana editor and author Mirta Yáñez has assembled an impressive group of sixteen stories that reveals the strength and variety of contemporary writing by Cuban women-and offers a glimpse inside Cuba during a time of both extreme economic difficulty and artistic renaissance.. Many of these stories focus pointedly on economic and social conditions. Josefina de Diegos Internal Monologue on a Corner in Havana shows us the current crisis through the eyes and voice of a witty economist-turned-vendor who must sell her extra cigarettes. Others-Magaly Sánchezs erotic fantasy Catalina in the Afternoons and Mylene Fernández Pintados psychologically deft Anhedonia (A Story in Two Women)-reveal a nascent Cuban feminism. The twelve-year-old narrator of Aida Bahrs The Scent of Limes tries to make sense of her grandparents conservative values her stepfathers disappearance and her mothers fierce independence. The Cuban-American writer Achy Obejas recreates the strange dual identity of the immigrant while avant-garde stories like the playful and savvy The Urn and the Name (A Merry Tale) written by Ena Lucía Portela reveal the vitality of the experimental tradition in Cuba. And Rosa Ileana Boudets Potosí 11: Address Unknown is both a romantic paean to a time of youth passion and revolution and an attempt to reconcile that past with a diminished present.