Cultural Perceptions of Violence in the Hellenistic World

<p></p><p>Violence had long been central to the experience of Hellenistic Greek cities and to their civic discourses. This volume asks how these discourses were shaped and how they functioned within the particular cultural constructs of the Hellenistic world. It was a period in which warfare became more professionalised, and wars increasingly ubiquitous. The period also saw major changes in political structures that led to political and cultural experimentation and transformation in which the political and cultural heritage of the classical city-state encountered the new political principles and cosmopolitan cultures of Hellenism. Finally, and in a similar way, it saw expanded opportunities for cultural transfer in cities through (re)constructions of urban space. Violence thus entered the city through external military and political shocks, as well as within emerging social hierarchies and civic institutions. Such factors also inflected economic activity, religious practices and rituals, and the artistic, literary and philosophical life of the polis.</p> <p>Preface</p><p></p><p>Abbreviations</p><p></p><p>List of Contributors</p><p></p><p>1 ‘War is the Father and King of All’: Discourses, Experiences, and Theories of Hellenistic Violence</p><p>Michael Champion and Lara O’Sullivan</p><p></p><p>2 Violence, Public Space, and Political Power in the Hellenistic Polis </p><p>Christopher Dickenson</p><p></p><p>3 Ideology of War and Expansion? A Study of the Education of Young Men in Hellenistic<b> </b>Gymnasia</p><p>Andrzej Chankowski</p><p></p><p>4 Poleis on the Brink: Violence and Greek Public Finances in Pseudo-Aristotle’s <i>Oeconomica</i> <i>II</i></p><p></p><p>Kai Brodersen</p><p></p><p>5 Kings and Gods: Divine Narratives in Hellenistic Violence</p><p>Lara O’Sullivan</p><p></p><p>6 Violence in the Dark: Emotional Impact, Representation, Response </p><p>Angelos Chaniotis</p><p></p><p>7 Compassion and Violence in Hellenistic New Comedy: The Case of Terence’s <i>Self-Tormentor</i></p><p></p><p>Susan Lape</p><p></p><p>8 Violence in Hellenistic Sculpture</p><p>Craig Hardiman</p><p></p><p>9 ‘A Pleasure to Gaze on Great Conflicts’: Violence and Epicurean Philosophy</p><p>Michael Champion</p><p></p><p>10 Eros and the Poetics of Violence in Plato and Apollonius</p><p>Eva Anagnostou-Laoutides</p><p></p><p>11 Violence in an Erotic Landscape: Catullus, Caesar, and the Borders of Empire and Existence (<i>carm</i>. 11)</p><p>Robert Kirstein</p><p></p><p>12 Epilogue: Violence and its Emotional Representation in the Hellenistic World</p><p>Michael Champion and Lara O’Sullivan</p><p></p><p>Bibliography</p><p></p><p>Index locorum</p><p></p><p>General Index</p>