<p>This essay in comparative literature represents the first extended attempt to relate Dante&#39;s major allegorical mode to classical and medieval interpretations of epic poetry rather than to patristic biblical exegesis. It also is the first comprehensive explanation of Dante&#39;s enigmatic Ulysses. Thompson strives to shed new light not only on Dante&#39;s allegory--and thus upon the whole troubled question of exactly what an allegory was thought to be--but also on the intricate relationship between poet and poem and between Dante&#39;s spiritual journeys and his written representation of those itineraries.</p>