Das Jüngste Gericht in den Bildwerken Mittelalterlicher Kunst

<p><i>Das Jüngste Gericht in den Bildwerken Mittelalterlicher Kunst</i> written by Friedrich Wilhelm Stengel and originally published in 1875 delves into the representation of the Last Judgment in medieval art. This scholarly work explores the artistic and theological significance of these depictions offering insights into the cultural and religious beliefs of the period. Stengel's analysis provides a detailed examination of various artworks shedding light on the symbolism and iconography employed by medieval artists to convey the concept of the Last Judgment. This book will appeal to art historians theologians and anyone interested in medieval art and religious history. The study offers a valuable resource for understanding the rich visual traditions of the Middle Ages and their enduring impact.</p><p>This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact and remains as true to the original work as possible. Therefore you will see the original copyright references library stamps (as most of these works have been housed in our most important libraries around the world) and other notations in the work.</p><p>This work is in the public domain in the United States of America and possibly other nations. Within the United States you may freely copy and distribute this work as no entity (individual or corporate) has a copyright on the body of the work.</p><p>As a reproduction of a historical artifact this work may contain missing or blurred pages poor pictures errant marks etc. Scholars believe and we concur that this work is important enough to be preserved reproduced and made generally available to the public. We appreciate your support of the preservation process and thank you for being an important part of keeping this knowledge alive and relevant.</p><br>