<p><i>Das Wiedererkennungsmotiv In Den Dramen Des Euripides</i> presents a detailed examination of the recognition motif within the dramatic works of Euripides. This inaugural dissertation written in German delves into the intricacies of Euripidean plays offering insights into the playwright's use of recognition as a key dramatic device. Gmür P. Ansgar provides a scholarly analysis that illuminates the enduring appeal of classical Greek drama and its continued relevance to literary study. This work is invaluable for students and scholars interested in classical literature dramatic theory and the influence of Greek tragedy. It contributes to a deeper understanding of Euripides' enduring legacy.</p><p>This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact and remains as true to the original work as possible. Therefore you will see the original copyright references library stamps (as most of these works have been housed in our most important libraries around the world) and other notations in the work.</p><p>This work is in the public domain in the United States of America and possibly other nations. Within the United States you may freely copy and distribute this work as no entity (individual or corporate) has a copyright on the body of the work.</p><p>As a reproduction of a historical artifact this work may contain missing or blurred pages poor pictures errant marks etc. Scholars believe and we concur that this work is important enough to be preserved reproduced and made generally available to the public. We appreciate your support of the preservation process and thank you for being an important part of keeping this knowledge alive and relevant.</p>
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