Death of a Cigarette

<p class=ql-align-justify><em>Death of a Cigarette </em>opens in the Stars and Stripes National Museum where the last tour of the day is about to begin. Chance begins the story at the very end of the opening. The history as narrated by Chance begins in a Virginia tobacco field. He introduces his kin Eva Mae and Ella Mae who are seen as his mother. Then Chance moves on to his birth at the factory along with his pack(Sally Winston Marley.) They find their voices as they cure are milled and are wrapped by <strong>Henri</strong> a dignified French paper. The pack crosses the Atlantic to England where camp life letters home and the hum of preparation usher the men toward Embarkation. On the Channel tracer arcs stitch the night. At Omaha the ramp drops; Sally burns bright; Winston rides unlit in Philip's hand offering a benediction (You're already burning). Chance remains in the package talisman.</p><p class=ql-align-justify></p><p class=ql-align-justify>The beach crossing narrows to inches and breaths. Shrapnel wire gaps and crater rooms define survival. Post‑landing the narrative widens into hedgerows and the emotional aftercare: a private's harmonica a shared apple unsent letters and the holy pocket where Chance and a letter to Philip's mother ride together. The war ends but silence follows Philip to Missouri good days triggers and the drawer that opens gently.</p><p class=ql-align-justify></p><p class=ql-align-justify>In 1961 at the <em>Stars and Stripes </em>centennial in Bloomfield Philip reunites with Terry. He donates his uniform and Chance. A placard provides quiet context; the cigarette becomes an artifact. In the epilogue decades later Philip's grandson Chris encounters the display recognition folds private grief into public remembrance. The circle closes without combustion without flame.</p><p></p>