Digital fictions Imaging Landscape - identity and ideology

George’s digital photographs and multi-media installations are images of the collisions of East and West. And are distinctive by their-tech seamless moulding of positive historical continuum. His vivid condensation of artistically and scientific analogies contributes to the resolution of particularly difficult millennial double bind occupying theorists and artist nationally and internationally. George’s practice over the past eight years has focused on concepts of contrivance and the handmade. Through this we can retrace the artists specific trajectory throughout the discourse on art photography and politics – that ranges from the conceptual debates in art to the technological shifts from analogue to the digital. Georges practise an extensive travels gives form to his contrapuntal perceptions within contemporary art.