Driftworks

Here is a course of harden worsen accelerate decadence. Adopt the perspective of active nihilism exceed the mere recognition-be it depressive or admiringof the destruction of all values. Become more and more incredulous. Push decadence further still and accept for instance to destroy the belief in truth under all its forms. In this collection of essays and interviews from 1970-72 Jean-Franois Lyotard explores and drifts as we drift between art and politics the figural and representation silence and libidinal energy. Art becomes a deconstructing force that deals not with the signified of things but their form or plastic organization; and politics is the overturning of a mystified or alienated reality. The artists'' reaction to capitalism and their function isn''t anymore to create new good forms but to deconstruct and accelerate their obsolescence. It is necessarily a critical activity. In his essays dealing with Freud Lyotard develops his thought on the figural and the unconscious as a topological space. Contrasting image-figure form-figure and matrix-figure Lyotard establishes links between the order of desire and the figural through the category of transgression of the object transgression of form transgression of space. For him the important thing is not to produce a consistent discourse but rather to produce figures within reality. For there is no point in changing social reality if all it does is set up the same form. Dealing with issues of depth and appearance the body becomes a surface of inscription for flows of libidinal energy. We need to pay more attention to the silence of bodily organs which creates a tremendous it is this silence that must be heard as the libido wanders through our bodies. What we enjoy in art is its ability to displace us to make us drift.