<p>From the angry young man who wrote <em>Who's Afraid of</em><em>Virginia Woolf</em> in 1962 determined to expose the emptiness of American experience to <em>Tiny Alice</em> which reveals his indebtedness to Samuel Beckett and Eugene Ionesco's Theatre of the Absurd Edward Albee's varied work makes it difficult to label him precisely. Bruce Mann and his contributors approach Albee as an innovator in theatrical form filling a critical gap in theatrical scholarship.</p>
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