The poets writing in the first years of the twentieth century have commonly been discussed in isolation. In Edwardian Poetry Kenneth Millard considers together seven poets--Henry Newbolt John Masefield Thomas Hardy Edward Thomas A.E. Housman John Davidson and Rupert Brooke--and argues that their work is worthy of more serious critical attention than it has previously received. Through an analysis of numerous individual poems Millard isolates certain common concerns: the changing and perhaps fading value of the idea of England a distrust of the medium of language itself and a distrust also of the creative imagination. In its reassessment of these poets the book provides a literary context for their work finding in it a kind of pre-war modern British poetry distinct from the Modernism of subsequent decades. In establishing a literary context for the poetry of this century''s first decade the book offers an important revision of modern literary history and points towards an alternative line in twentieth-century British poetry that culminates in the work of Philip Larkin.
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